Constructing Home / Noguchi At Poston
2018
This series addresses the absence of material remnants of the internment of members of my extended family during World War II through investigations and reconstructions in 2D, 3D, and time-based media. In reconciling my place as an designer both temporally and spatially separate from internment/incarceration, I chose to use the documentary photography of internees constructing semblances of home amidst the inhospitable conditions of the camps as sites of entry .
I also found a way in through Isamu Noguchi, who born to a Japanese father and Euro-American mother, self-identified as 'Eurasian.' Appalled at the internment of Japanese Americans on the west coast, he organized a group of Japanese-American writers and artists to protest the policy, before eventually deciding to self-intern himself in the hopes of improving camp life. Though he produced extensive work and plans for near-utopian facilities, he ultimately failed in enacting tangible change at Camp Poston, and after much conflict, asked to leave the camp in the Arizona Desert, returning to New York and constructing a new sense of home in a carriage house located at 33 MacDougal Alley, now long demolished.
2018
This series addresses the absence of material remnants of the internment of members of my extended family during World War II through investigations and reconstructions in 2D, 3D, and time-based media. In reconciling my place as an designer both temporally and spatially separate from internment/incarceration, I chose to use the documentary photography of internees constructing semblances of home amidst the inhospitable conditions of the camps as sites of entry .
I also found a way in through Isamu Noguchi, who born to a Japanese father and Euro-American mother, self-identified as 'Eurasian.' Appalled at the internment of Japanese Americans on the west coast, he organized a group of Japanese-American writers and artists to protest the policy, before eventually deciding to self-intern himself in the hopes of improving camp life. Though he produced extensive work and plans for near-utopian facilities, he ultimately failed in enacting tangible change at Camp Poston, and after much conflict, asked to leave the camp in the Arizona Desert, returning to New York and constructing a new sense of home in a carriage house located at 33 MacDougal Alley, now long demolished.
33 MacDougal Alley
proposal for a monument to the self-internment of Isamu Noguchi
video and model, 16" x 9" x 11"
2018
proposal for a monument to the self-internment of Isamu Noguchi
video and model, 16" x 9" x 11"
2018
excerpts from video
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Noguchi at Poston
acrylic on canvas, 30" x 24" 2018 |
From Yoneko Tanaka and her Self-Constructed Vanity
acrylic on canvas, 18" x 24" 2018 |
Constructed Library
acrylic on paper, 18" x 12" |
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Reconstructed Views & Missing Spaces (model)
painted model, 78" x 15" x 12"
2018
painted model, 78" x 15" x 12"
2018
Reconstructed Views & Missing Spaces (photo collages)
digital collages, 10" x 8"
2018
digital collages, 10" x 8"
2018
